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Pizza Bagel Plugins
PIZZA BAGEL PLUGINS
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THIS IS THE REAL PLUGIN, RUNNING HERE. PICK A SOUND, HIT PLAYFLIP WITHOUT / WITH‹ › ON ANY PLATE SWAPS THE CIRCUITDRAG A KNOB, WATCH THE RACK RECOLOUR

What it does

JJG Vocals is the toolbox I reach for on every vocal. In my own sessions, a whole lineup of plugins and hardware sits there switched off, and I flip them on and off until I hear what the vocal needs. JJG Vocals puts that toolbox in one window, just a lot faster: preamp, tape, compressor, EQ, de-esser, Salt enhancer and output, in signal order. Every module has its own power switch, one main knob, and a plate at the top that picks its circuit. The plate names (511, 73, 76, 2A, 37 and so on) are our shorthand for the character of each voicing, inspired by classic studio gear. Switch modules in and out, pick the circuits, turn the knob, done. The whole rack recolours to match what you chose. Each circuit was painstakingly modeled from real hardware to get the best sound possible. Silly designs, serious sounds. It was built for vocals, but people are running drums, bass, guitars and synths through it too, so try those in the player above.

  • Made for vocals, great on drums, bass, guitars and synths
  • Four preamps, four tape machines, five compressor modes, two de-essers, two Salt curves
  • One DRIVE knob for preamp and tape together, with AUTO GAIN
  • HQ mode: 4x oversampling that removes aliasing on the hardest-driven modes, like a pushed TG preamp or Cassette tape. Made for mixing and bouncing
  • THD switch: on, the EQ adds the harmonics a real console adds, more as you work the shelves. Off, you get the same curves with no added color
  • LOW LAT tracking mode, STEREO / MONO, A/B with COPY, undo
  • Presets, dark mode, resizable
  • Includes a Lucas Arens preset pack, with more on the way from today’s top producers and mixers

The modules

PRE
Preamp
Five voicings on the plate, each with its own colour and its own way of reacting to DRIVE.
511
Flat and transparent, with weight in the bass.
73
Big, thick, hard to make dirty.
TG
Tight, small, aggressive.
60s
Dark and band-limited.
DRIVE
Drive
One knob for preamp and tape saturation together. AUTO GAIN keeps the level steady while you push it.
TAPE
Tape
Four machines, three speeds, plus WARMTH and WOW / FLUTTER knobs.
37
Warm and present, vintage grit.
800
Cleaner, more headroom, extended highs.
Cassette
Narrow, boxy, wobbly.
102
Pristine, barely colours.
COMP
Compressor
One AMOUNT knob: more knob is more compression and more colour, makeup gain handled for you. Five modes, including two that chain circuits.
76
Fast FET, grit rises as you push it.
2A
Gentle optical levelling.
76 → 2A
Peak control first, then levelling.
2A → 76
Levelling first, then a safety limiter.
6A
Vari-mu tube limiting, with pilot lamps.
EQ
Equaliser
Console-style: high and low shelves with a 70s / 80s voicing switch each, a high-mid boost, a low-mid dip on a dual-concentric knob, and a high-pass at the bottom.
DS
De-esser
One knob, two circuits, and a LISTEN pill that plays only what’s being removed.
536A
Broadband, catches peaks.
902
Smoother detection, with an HF ONLY mode.
SALT
Salt
An enhancer that brightens the quiet moments and leaves the loud ones alone. One knob, two curves.
Kosher
Coarse, one gentle band.
Pink
Finer, a touch sweeter up top.
OUT
Output
MIX for the whole chain, a soft GATE with a lamp, IN / OUT trims, and the THD switch that turns the EQ’s console harmonics on or off.

Specs

FORMATS
VST3 · AU · AAX
OS
macOS 13.3+ (Apple silicon & Intel) · Windows 10+ · not yet tested on macOS 27
LATENCY
0 ms in LOW LAT mode
MODULES
PRE · TAPE · COMP · EQ · DS · SALT · OUT
VERSION
1.1.0
Stay in the loop
New plugins, updates, and the occasional discount for people on the list. One email a month, tops.